(Sidebar! As America's political race goes from overheated to red hot, we are wondering: could we be seeing new, unexpected fashion influences? Wonk-chic? Pollster pulchritude?)
With such divergent trends, what's a handbag company to do? If you are Melie Bianco, the answer is simple: both.
The W8-252 – a name that simply trips down the tongue – is an attache in gray and blue, a flat leatherette portfolio with smartly contrasted trim. The crowning detail is a hexagonal handle cutout. It's policy meets pleasure. Think early '70s. Sigourney Weaver in the "Ice Storm." Stylishly confident, powerful, rebuking expectations.
Likewise, the w8-10 overlong clutch in mustard or purple is a bright bar of color across your outfit. The extra length and brilliant hues draw attention to your look like a Dan Flavin in a white-walled gallery.
So naturally we're picturing these bags as a linear pop of color on an otherwise clean-as-a-whistle outfit, meaning pencil skirts, riding boots with clean lines or sexy-spiky office heels and a reduced palette of heather grays, blacks, saddle browns, whites. Add a scarf or ropey necklace to break up the lines.
If the w8-252 attache and w8-10 clutch energize your look by inverting the buttoned-up, the 84004 pops all the buttons off said shirt. These glazed bags in boldly lacquered fall colors are assembled from asymmetrical panels draped, pinched and ruched to create a form that is less handbag so much as frozen explosion of sassy, sensual, voluminous folds.
Again, keep it simple. This bag demands attention; don't fight it. (No A-lines here.) Continue the sense of flow with a layered chain necklace. Try some flat-heeled boots with a slight scrunch or low, chunky heels that work back to this bag's organic shape.